The Curators

Gare du Nord

Sonnet and Oriel were in the same program at the Courtauld Art Institute, studying the history of European costume and dress, taught by the formidable Dr Eileen Ribeiro, some 18 years ago. Both are curators at the V&A.

Sonnet, with the help of the Op-Ed project, has an opinion - with photo - published in the New York Times addressing the failure of the world's biggest museums to hire women at the top. Same for the V&A where 75% of the curators are women. Her piece timely as the V&A searching for a new Director while the Chairman tells me, "we cannot get women to apply for the job."

"LONDON — The directors of two of the world’s most popular art museums recently announced their resignations. Martin Roth, the director of the Victoria and Albert Museum, will step down this year, and Nicholas Serota, the director of the Tate museums, both in Britain, will depart next year. These job vacancies, which search committees are now working to fill, offer an opportunity to correct the gender imbalance in art museum leadership in Britain, America and beyond.

In 2015, the world’s top 12 art museums as based on attendance — what I call the “directors’ dozen” — were all led by men. When Frances Morris became the director of the Tate Modern in April, she became the first woman to join the club. This gender gap extends from Europe to North America, where only five of the 33 directors of the most prominent museums (those with operating budgets of more than $20 million) are women, including Kaywin Feldman of the Minneapolis Institute of Art and Nathalie Bondil of the Montreal Museum of Fine Arts. It’s the leaders of those big-budget institutions who set the tone for all. "
--Sonnet Stanfill, NYT, extract, October 19, 2016